The first publication of a previously unknown narrative poem by J.R.R. Tolkien, which tells the extraordinary story of the final days of England's legendary hero, King Arthur. Tolkien's only venture into the legends of Arthur, this may well be regarded as his finest and most skillful achievement in the use of Old English alliterative meter, where he brings to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful...

Includes Beren and Luthien, Turin and the Dragon, and full narratives of the Necklace of the Dwarves and the Fall of Gondolin. Also includes commentary and poems associated with each tale.

Contains the Tales of Valinor followed by a commentary, associated poems and information on the Elvish languages.

Follows The Book of Lost Tales, parts 1 & 2, and precedes The Shaping of Middle-earth.

What Tolkien's many admirer's suspect, but have so far been unable to confirm, is that he was as complicated and rewarding in his personal life as he was in his masterful literary fantasies. By turns thoughtful, impish, scholarly, impassioned, playful, vigorous, and gentle, Tolkien was an indefatigable letter writer who poured his heart and mind into a great stream of correspondence to intimate friends and unknown admirers all over the world.

"The final work of J.R.R. Tolkien's Middle-earth fiction"--In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in...

Unfinished Tales of Nor and Middle-earth is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and further relates events as told in The Silmarillion and The Lord of the Rings.

J.R.R. Tolkien completed his translation of Beowulf in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition includes an illuminating written commentary on the poem by the translator himself, drawn from a series of lectures he gave at Oxford in the 1930s. His creative attention to detail in these lectures gives rise to a sense of the immediacy and clarity of his vision. It is as...