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A critique of the white American class structure argues that the paths of social mobility that once advanced the nation are now serving to further isolate an elite upper class while enforcing a growing and resentful white underclass.

This book tells how Denver Moore, an African American, was held under plantation-style slavery until he fled in the 1960s and suffered homelessness for an additional eighteen years before Deborah Hall, an art dealer accustomed to privilege, intervened.